Midori Snyder and I originally wrote and sold this as a novella, which was published in the anthology The Fair Folk edited by Marvin Kaye. The book won the World Fantasy Award.
We always thought we’d make the book into a novel,
Author of over 400 Books for Children and Adults
Midori Snyder and I originally wrote and sold this as a novella, which was published in the anthology The Fair Folk edited by Marvin Kaye. The book won the World Fantasy Award.
We always thought we’d make the book into a novel,
The stories and poems in this collection include eleven years worth of material. Stories vary from the Celtic retelling/restructuring of the title story (which I first learned about when we visited Dunvegan castle on the Isle of Skye) to the original art tale “The Face in the Cloth” written for my daughter
Retellings of classic folk stories about fairies–from Scotland, Wales, Ireland, England, Brittany, Persia, South Africa etc. I had long wanted to do such a volume, and had presented the idea to many editors, but was always turned down. Then after I’d done the
Excerpted from Fairy Tale Feasts.
The book began with the idea of LITERARY TEA PARTIES and somehow morphed from there. It was my idea, but early on I got daughter Heidi–a great cook–interested in it because I am only a very very plain cook and she is always interested in experimenting. We sold the book in the early 2000 or
Excerpted from Fairy Tale Feasts.
I was invited to do this book by Wendy Wolf who was the great editor of the Pantheon Folklore series. It turned out to be a wonderful start to my serious study of folk tales. The book–with well over 150 stories–has become a core book for storytellers and storytelling courses. The long essay about stories
This verse novel began as a bunch of different poems about Baba Yaga,my culture hero. I’d read a bit of a blog in which the author purports to be Baba Yaga as a love columnist. The columns were particularly snarky and strong. So I wrote a poem about Baba Yaga as a love columnist and then branched out into writing poems about her in general: having tea with Kostchai the Deathless, (When he kisses the Baba on the cheek, “it leaves a scar.”) or how she feels about her cousin the witch from Hansel in Gretel.
After having done WILD WINGS with Jason’s bird photographs–which won a National Wild Life Book award–I realized that he still had many gorgeous bird photos left over. Not only that, each time I went to South Carolina to visit (his baby twins, not Jason and his
I first came upon the story of Firebird in the ballet, when Maria Tallchief as the Firebird and Francisco Moncion as Prince Ivan performed in New York on November 27, 1949. The ballet was choreographed for the New York City Ballet Company by George Balanchine